Mangione: The Story Behind the Story by John H Richardson – Understanding a Criminal?

On December 5, 2024, a major newspaper published the headline “Insurance CEO Shot Dead In Manhattan”. The article then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was truly cold and shocking. But numerous US citizens reacted differently: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company created to maximize profits on your health.”

Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania graduate with a graduate degree in computing, was apprehended at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the capital punishment. So who is Mangione? And what drove the alleged crime? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.

The Making of a Subject

A writer for a major publication, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on a reading platform”. Their content ranged from climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his communications with online personalities and authors as well as his many posts on digital networks. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “depose”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione had a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s existential anxiety about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or destroy us, or both.

Gaps in the Narrative

Notably missing from the book are conversations with the key individuals. Richardson made requests, but never expected time with Mangione himself. And his family made it clear that they had decided against speaking to the press in advance of the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits increased by 33%.

Ambiguous Findings

By the conclusion, the audience has little insight of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been exposed to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the naked leader.” In that fable “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the people are suffering and nothing makes sense anymore.”

One thing is clear: as Mangione’s legal representatives continues in its attempts have accusations that could lead to the ultimate sentence thrown out, any reference of fables, Robin Hoods, champions or monsters will not be allowed in court in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Donna Thompson
Donna Thompson

Tech enthusiast and digital strategist with a passion for exploring emerging technologies and sharing practical insights.